Oct 31, 2025 · The larger ivory relief with the Crucifixion has been attributed to the so-called Nikephoros Group of ivories, made in Constantinople in the tenth century. A similar plaque in the Metropolitan …

Oct 2, 2012 · A recently published challenge to the authenticity of the ivory plaque of the Symmachi, now in the Victoria and Albert Museum, is refuted, and its late fourth-century origin is confirmed by …

Carved in ivory, this plaque, depicting the Passion of Christ with an allusion to Hades (god of the underworld), is from the mid-tenth century, or Middle Byzantine era, and was made in Constantinople.

A recently published challenge to the authenticity of the ivory plaque of the Symmachi, now in the Victoria and Albert Museum, is refuted, and its late fourth-century origin is confirmed by comparison …

About this Item Record Details Work Title Casket with Ivory Plaques View Title Peter and Paul Creator/Culture Spanish Site/Repository Repository: Treasury of the Collegiate Church of San …

Carved ivory plaque shows Christ's triumphant entry into Jerusalem on the back of a donkey. Onlookers hail him with palm leaves and cloaks.

Scenes from the Life of Christ, ivory plaque, Narbonne, Treasury of the Cathedral, detail.

Sculptural fragments of an ivory furniture depicting two plaques with engraved images of lion and a composite mythical animal (vyala) on it

The left image shows the plaque in visible light immediately prior to conservation at the British Museum. The right image shows a partial digital recolouring of the plaque, based on observations made using …

Feb 10, 2011 · The best clue in this regard is the extent to which ivory of less than the highest grade was used, be it on plaques that on their reverses show traces of the pulp cavity, “ghosts” of the nerve …